Then you can make customizations to the tone and warmth. You can pick from standard, vibrant, rich contrast, warm and cool. New for 2021 is “Photographic Styles,” a way to customize your iPhone photography within a range of presets before hitting the shutter button. Welcome improvements, but it’s not night and day with every shot captured in these moments, though we were able to get some dramatically better Night mode shots over the 12 Pro or 12 Pro Max. It lets both of those modes capture more details, and with Portrait mode reduces the frequency of the “needs more light” notification. Portrait mode and Night mode are both core modes on the 13 Pro and 13 Pro Max, and both are aided thanks to the larger sensors and apertures in the hardware. The fix was lowering the recording quality, as macro doesn’t work on the highest recording setting. We did have some issues getting macro to work in video, as we’d get close to an object but it would not focus. It also works across video, allowing you to capture macro content in standard, time lapse and slow-mo. The result is an image with a wild amount of detail and almost no fuzz or noise. Rather than toss a 2-megapixel dedicated macro camera like we’ve seen other phone makers do, Apple is using that same lens and quickly changes the focus when you’re close to a subject - a technique called Phase Detection Autofocus. The trick here is that the ultrawide doubles as a macro lens, which is probably the most exciting aspect of this camera. What’s not gone is a lens flare, but it is reduced. Like the main lens, this features a larger sensor, which aids in reducing grain, blurriness and unpleasantness in the shot. Unlike on other devices with ultrawide, you won’t see weird blurs in the corners or an overtly fish-eye effect. That’s paired with a 12-megapixel ultrawide lens that is set in a 120-degree field of view. The physically larger sensor allows more light to be captured, which in turn creates a more detailed image. Let’s start with the 12-megapixel wide camera, which features a massive sensor that makes itself a really dependable shooter in a variety of situations. You still get a 12-megapixel wide, 12-megapixel ultrawide and 12-megapixel telephoto camera, but they feature upgraded sensors and modes. And by just reading the megapixels, you might think they’re identical. The aspect that sets the iPhone 13 Pro and Pro Max apart from other phones - even the 13 and 13 Mini - is the phone’s cameras. If you just want an iPhone but don’t need the addition of a third lens or better low-light capabilities, the standard 13 is likely a better bet. It’s also finally in line with the refresh rate of other flagship phone displays. We’d hedge that this is the first phone to also make macro photography a real feature, which other phones have struggled with. The cameras can easily roll with the likes of a Samsung Galaxy S21, Z Fold 3 or even Pixel 5a and deliver more color-accurate and realistic images. How this compares: The iPhone 13 Pro and 13 Pro Max are some of the best flagship smartphones on the market. There’s also no price increase from the 12 Pro or 12 Pro Max. The 13 Pro and 13 Pro Max both get a triple-camera system with a LiDAR Sensor, Super Retina XDR displays with a 120Hz refresh rate, an A15 Bionic with an extra GPU core and a gorgeous new Sierra Blue color. All is the same except for battery size and screen size. What you need to know: Apple level-set the features across both of these Pro models. Notably, it features a trio of lenses that are some of the most versatile we’ve ever tested, so we see photographers, influencers and videographers getting the most out of this. Who this is for: The iPhone 13 Pro and 13 Pro Max are for those who want the best camera possible packaged in the highest-end iPhone.
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